#Meyer sound studio monitors drivers#
#Meyer sound studio monitors driver#
#Meyer sound studio monitors software#

The beauty of a really capable sound systems is how it can inflame your love of music and have you eagerly revisiting your favourite tracks. It’s clear the system knows both the dimensions of the room and how best to reach into every corner when the music demands it. The speakers come with an external processor which takes care of phase correction and adds room equalisation. A synth-line laden with delay appears to travel from the front to the back of the room - we almost double-take. Consensual Worlds by Delerium shows the system capable of scale and rigorously organised sound dispersion. All the processing and production required to get music from studio to your ear is elsuive, and instead you enjoy an intimate, immediate sound.Īs impressive as bare, natural recordings sound - London Grammar, Rebecca Pidgeon and Gregory Porter all get an outing, sounding thrilling in their delivery of detail and emotion - the Bluehorn speakers do strong work with electronic music, too. “Studio Master” has become something of a generic marketing term, but this experience is the real thing - every note in the recording is delivered with convinving clarity. This track, and listening later to Lorde's Royals, demonstrates an impressive level of accuracy and realism, especially when handling voices. You want a soundstage? This is a soundstage like we seldom hear - close your eyes and you can place the band. The speakers, DSP and room combine to deliver a sonic experience that seems to make the physical position of the speakers irrelevant. Instead, the sound of the band, the sound of the room in which they’re playing, the placement of instruments and the dynamics of the voices, takes over.

#Meyer sound studio monitors software#

It’s 24/192 hi-res music on ‘weekend hack’ software on a Mac and plugged into the system, but we later also listen to a selection of our own tracks on Tidal via a Linn streamer.ĭid we mention how huge the speakers are? And yet, as we listen to Buena Vista Social Club's Chan Chan, they do their best to disappear. Dimensions: W: 23.18 in (589 mm) x H: 13.89 in (353 mm) x D: 20.We’re given the sweet-spot seat on the sofa and sit back to enjoy a playlist of tracks offering a little bit of everything.Two-conductor twisted-pair network that reports all operating parameters of amplifiers to system operator’s host computer.Maximum Instantaneous Peak Current: 8.1 A peak (115 V AC), 3.9 A peak (230 V AC), 9.3 A peak (100 V AC).Input Level: Audio source must be capable of producing of +20 dBV (10 V rms) into 600 Ω to produce the maximum peak SPL over the operating bandwidth of the loudspeaker.Nominal Input Sensitivity: 0 dBV (1.0 V rms) continuous is typically the onset of limiting for noise and music.Pin 1: Chassis/earth through 1 kΩ, 1000 pF, 15 V clamp network to provide virtual ground lift at audio frequencies.Input Impedance: 10 kΩ differential between pins 2 and 3.Connectors: XLR 3-pin female input with male loop output optional XLR 5-pin connector to accommodate both balanced audio and RMS signals.Maximum Common Mode Range: ±5 V DC, clamped to earth for voltage transient protection.Type: Differential, electronically balanced.

#Meyer sound studio monitors driver#

High Frequency: One 4-inch diaphragm compression driver 8 Ω nominal impedance.

#Meyer sound studio monitors drivers#

Low Frequency: Two 10-inch high-power cone drivers 4 Ω nominal impedance.

Linear Peak SPL: 134 dB with crest factor >17 dB (M-noise), 132.5 dB (Pink noise), 132.5 dB (B-noise).Frequency Response: 60 Hz – 16 kHz ±4 dB.Operating Frequency Range: 55 Hz – 18 kHz.Flat frequency and phase responses yield high gain before feedback.High peak power ensures excellent transient response.Wide vertical coverage permits the freedom to move upstage and downstage.Low profile cabinet preserves onstage sight lines.Small lightweight footprint with no external amplification occupies less truck space.Self-powered system guarantees simplified setup and operation.The self-powered MJF‑210 exceeds the stringent requirements of today’s touring applications, withstanding the rigors of road and stage while occupying a small, lightweight footprint and a fraction of the truck space of similar monitors requiring external amplification. The MJF‑210 low-profile high-power stage monitor reproduces audio faithfully with high intelligibility at high output levels with ample low-frequency headroom. We see you're near our warehouse - Get Next Business Day Delivery on Most Orders Meyer Sound MJF-210 Powered Wedged Stage Monitor